In the 6th year of the Kangxi reign (1667), under the benevolent directive of the Grand Empress Dowager Xiaozhuang (1613-1688) and the newly enthroned Kangxi Emperor (r. 1661-1722), who had just assumed personal rule, the Qing court initiated an ambitious Buddhist cultural undertaking: the production of a deluxe gold-inked manuscript of the Kangyur (bka’ ’gyur) in Tibetan script. This monumental project, widely known as the “Tibetan Dragon Canon” (Longzangjing), required enormous financial resources and mobilized numerous master artisans and eminent monks. Completed over the course of two years, it was conceived as a devotional act to pray for the enduring stability of the imperial realm and the flourishing of imperial virtue, while also serving to consolidate the political and religious alliance between the Manchu and Mongol elites. This special exhibition seeks to move beyond the conventional display format that isolates individual folios and scripture protecting boards. For the first time at the Northern Branch of the National Palace Museum, the Tibetan Dragon Canon is presented in its entirety together with its complete set of mounting components.